Monday, November 25, 2013

Diane Edgecomb's In the Groves


In the Groves 

Stories performed by Diane Edgecomb, accompanied by harpist Margot Chamberlain.  Winner of a Parent’s Choice Silver Award! $17.00 (includes shipping and handling) from www.livingmyth.com
 
Reviewed by Linda Goodman

            In the introduction to this charming yet haunting CD, we are told that trees are first and foremost teachers, and, if we listen closely, they will share their secrets.  While listening to this CD, one does indeed feel likes a confidant, hearing the secrets of the groves for the first time.

            The Dancing Spirit of the Birch, a Czech folktale, tells of a young girl who knows happiness, in spite of being poor and having to work all day spinning flax into thread. Who is the mysterious woman in white who seeks to draw the girl from her work for a day of dance and levity? Will the girl allow herself to be lured from the work that supports her hungry family?

            From Cornwall England, Three Green Ladies is a story centered on rituals related to trees, and three men whose late father taught them to honor those rituals. Only one brother heeds their father’s wisdom, however, leaving the other two to reap the consequences of their own selfish actions.

            Kansakura – Sacred Cherry Tree features a cherry tree so beautiful that a shrine to the God of Love is built near it. This story from Japan tells of a young girl who resents her father’s plan to marry her to someone she does not love. How will she extract herself from this arranged marriage when she finally meets her true love?

            Australian Aboriginals say that the land needs us as much as we need the land. One of the things it needs is to hear the old stories told in a sacred manner. The Voice of the Creator is just such a story; a tale of lazy humans who take the presence of the Creator for granted until it is too late. The Creator, however, is benevolent and cares enough for his people to send an emissary to lead them back to him, though not in the way you would imagine.

            Evergreen, from the Cherokee People, is a pourquoi tale that explains why some trees keep their green leaves all year long, while others lose theirs. It is a story about the rewards that follow steadfast endurance.

            Each song and story on this CD is thoroughly researched and expertly performed. Diane and her accompanist, harpist Margot Chamberlain, create sweet harmonies for songs from the Shaker, Russian, and Japanese traditions. Margot beautifully sings a Welch tune solo and underscores each story with traditional music from the cultures represented. Listeners will be captivated with the musical ebb and flow that Margot has created to follow Diane’s telling from tale to tale. The result is elegance so enchanting that it makes story magic.

            Diane’s skill at shifting from character to character within a tale is amazing. No blunt transitions here, only a subtle change of tone or pitch, or quickening of pace, is necessary to guide the audience from one character to the next.

            Story lovers on your Christmas list will cherish this CD as they listen to it again and again. Do not let its soothing tone fool you, however. For all its beauty, there is justice in the grove. Sometimes that justice is harshly dark; but Light lingers on the edge of the darkness, beckoning all to journey forward.

           

Monday, November 18, 2013

A Story for Thanksgiving

Thanksgiving
by Linda Goodman

©Linda Goodman 1996



     When my family lived in the Appalachian Mountains of Wise County, Virginia, the food that we ate at our Thanksgiving Day meal was the same as what we ate on any other day: soup beans and cornbread. Occasionally, there would be meat, if Daddy had been out hunting.


     What made the meal different was a ritual that my Daddy insisted upon observing on Thanksgiving. Before eating, each of us sitting around the table would, one by one, give thanks for that for which he or she was most grateful. Not having much in the way of material possessions, our thanks usually were given for treasured relationships. One year, after I had recovered from a severe bout with pneumonia, I was surprised to hear my brothers give thanks for my survival. It changed the way I felt about them, and their constant teasing was easier to take after that. I gave thanks for my new baby sister. Mama was thankful for well-behaved children, and Daddy was thankful that he had been blessed with children who were thinkers. If you use your head, you will come out ahead, he always said.


     When we moved to the city, Thanksgiving remained the same. My parents refused to assimilate into the city culture, and so our meals and rituals never changed. We children eventually adopted city ways, but Momma and Daddy held to the old ways until their deaths.


     The Thanksgiving after they passed away, my sister and her family came to spend the holiday with me in Connecticut. I fixed a traditional meal of turkey, dressing, and various side dishes. Before eating, my sister and I decided to reinstate the old ritual that we had taken part in so often. One by one our children gave thanks. My daughter was thankful for the new dress she had gotten for the Christmas dance at school. My nephew was thankful for his Nintendo. My niece was glad that her allowance had been increased. No one mentioned family or friends.


     I abandoned the ritual after that. It just was not the same with its new emphasis on material possessions. On Thanksgiving day, we have a bountiful meal and good companionship. Everyone seems happy. But I always make sure to take a few minutes alone to give thanks for the wonderful man who taught me that it is not who you are, but how you live, that matters most; and that anyone who has a loving family is rich indeed.

Sunday, October 27, 2013

The Least of These



© Linda Goodman 2013

Matthew 25:40: “Whatever you did for one of the least of these brothers and sisters of mine, you did for me."

This morning (10/27/2013) Pastor Steve Rembert’s sermon centered on the above scripture.

I remember when the economy crashed in 2008. Many people lost their jobs and things looked bleak. They were scared, and rightfully so.

I was one of the lucky ones. When the company I was working for went bankrupt, I was remembered by several former colleagues who had segued into management elsewhere. I had made good impressions upon them, and I received multiple job offers from them.

I ended up working in downtown Richmond. Every day on the way from the bus stop to my job, I passed people who were holding signs that said that they were hungry. I made it a habit to always carry dollar bills with me, and, while trying not to draw attention, I gave one to each needy person I passed. Well-meaning friends warned me that the money I gave would most likely go to drugs or alcohol.

Their warning made me think back to 1969, when I was hungry myself. I was unemployed and pregnant with my daughter.  My husband (now ex-husband) was a self-employed musician. We never knew if we would make it from one paying gig to the next. At his gigs, my husband was usually treated to meals by his fans, or the club where he was working. I was living on Campbell's Soup for lunch and supper. I skipped breakfast.

A couple lived down the road from us, and I felt compassion for them because neither of them was working. One of their parents was helping out with the rent, "But we have no food," the wife told me. "We're starving."

I had no money to help with their situation, but I had stockpiled Campbell's Soup the last time I had found it on sale. I set aside half of my soup cans and watched and waited for a few days, until I saw the two of them leave their house together. Then I took the soup I had set aside to their house and pushed each can through their mail slot. This way, they would not know who their benefactor was, and they would not feel embarrassed around me. Knowing that I was helping them made me feel good. I had visions of their happiness when they came home and found the soup.  They would be ecstatic.

The next time I saw the two of them, they were agitated. “Somebody put canned soup through our mail slot,” the man complained. “I don’t mind somebody helping us out, but getting canned soup is an insult!”

I was in shock. “I like canned soup,” I told them. “I eat it every day.”

“We’ll give the soup to you, then,” the woman offered. “Frankly, I’d rather have nothing at all to eat than to have to eat canned soup,” she added.

“If someone really wanted to help,” the man continued, “he would have given us the cash and let us buy what we like.”

I went back home with the soup. I don’t think they ever realized that I was the culprit. Throughout my pregnancy, I continued to eat that soup. I was glad to have it, too.

My intentions towards the couple were honest and sincere, just as my intentions towards the hungry that I met in Richmond were honest and sincere. Some of those hungry people may have felt that a dollar was not enough. I have no way of knowing that.

What I do know is that my actions were motivated by scripture, by my personal memories of being poor, and by my desire to help those in dire straits. In Matthew 25:40, Jesus blesses those who come to the aid of “the least of these brothers and sisters of mine.” I see no reason to cease doing so just because I don’t know to what use the aid will be put.  That is between the "least of these" and God.

Thursday, October 10, 2013

Tall Tales and Laughing Spells


CD Review

 

Why I Don’t Fish Anymore

 
Stories performed by Alan Hoal.  $15.00, plus shipping and handling, from www.thehoalstory.com or call
919-607-0993

Reviewed by Linda Goodman

            Roanoke, Virginia native Alan Hoal claims that every story on this CD is true. Of course, when we hear that, we must remember that he has an entire shelf of tall tale competition trophies. My advice: don’t worry about whether or not the tales are true; just allow yourself to suspend your disbelief for a while, and I guarantee you will have a rollicking good time listening to this story collection.

            While listening to Why I Don’t Fish Anymore, just believe that Hoal once had a beloved pet catfish named Whiskers. After you have listened to the story of how Hoal came to adopt Whiskers as a pet, and to all the adventures they had together, you will understand why the tragedy that followed scarred Hoal so much that he had to give up fishing altogether.

            The Conjuring of Bloody Mary recalls Hoal’s own experience at trying to call up the legendary, vampire-like ghost, famous for draining the blood out of her victims. Was she real? Only the next of kin can say for sure, but make no mistake: Hoal knows a good story when he lives it.

            Hot Diggity Saves the Day, set in Punkin Patch, Virginia features an eccentric Uncle, a hated giant chicken, and an extraordinary hunting dog that saves the town from going down in history as a laughing stock. This story is a puzzle that creates a wonderfully funny picture as it puts all the pieces together.

            Ever wonder what a decaffeinated coffee plant does with all that caffeine that is removed from its coffee? The Great Caffeine Disaster goes into great detail to explain just that. Beware! It is not a pretty picture.

            In this current grim world of government shut-downs, increasing debt, and mounting fear, this album provides a much needed escape from reality. It is a flight of fancy to a world where the ridiculous seems real, reality seems insane, and healing laughter makes everything seem all right for a while.

Friday, September 13, 2013

Anthony Burcher's New CD A Winner!


CD Review

He Ain’t Right

Written and performed by Anthony Burcher; recorded live at Stonehouse Presbyterian Church, Toano, VA; Cover design by Brian Morgante for TreeHouse Artists; Mastered by Jake Dempsey for TreeHouse Artists. $14.99, plus shipping and handling, from http://www.anthonyburcher.com/

Reviewed by Linda Goodman

            One of Virginia’s hidden treasures, Anthony Burcher may think “he ain’t right,” but those who have had the pleasure of hearing him tell stories know that he is not only right, he is righteous. He can take an ordinary, everyday habit, like eating Tic Tacs, and turn it into a comedic tour de force that has his audience in stitches and his pants…. well, let’s not go there.

            The story about the afore mentioned Tic Tacs is titled Minty Freshness, which, believe it or not, is not always a good thing; especially when you are teaching a room full of elementary school children about John Smith and Pocahontas.

            The Junkyard compares/contrasts Anthony’s father’s “junkyard” world with his mother’s “pristine” world. The two are ever separated and crossing from one to the other can be quite the challenge, especially after you’ve been attacked by a barrel of oil.

            Sunday Dinner made me yearn for yesteryear, when delectable food was made from scratch at home by master cooks in one’s own family. Of course, some home cooked dinners make better stories than others. Rotten vinegar, for instance, can cause quite a sensation.

            Bower of Table is Anthony’s own hilarious rendition of the Tower of Babel, found in the Bible book of Genesis. Anthony’s version is reminiscent of Archie Campbell’s telling of Cinderella on the television show Hee Haw.

Anthony Burcher knows how to create a fabulous story and tell it uniquely well. He also knows how to make his audience feel at home. I was in the audience at Stonehouse Presbyterian Church when Anthony recorded this album live. His zany facial expressions and gestures enhanced each tale, and his audience was in the palm of his hand – exactly where they wanted to be.

Saturday, August 24, 2013

The Bag Lady


© Linda Goodman, August 2013

 I was not doing what I wanted to be doing on July 4, 1975. I wanted to be sipping wine at the cookout that my boyfriend had invited me to attend.  Instead, I was working. 

July 4th is a big sales day for retail establishments, and the Portsmouth, Virginia furniture store that employed me, was no exception.  At 9:00 a.m., I and five of my co-workers stood at the front of the store, waiting to service the hoard of furniture shoppers who were sure to be coming through our doors soon.  We worked on the “up” system. Before the store had opened, we had drawn numbers from a basket. The sales person who drew number 1 would attend to the first customer who came through the door; the one who drew number 2 would attend to the second, and so on.  I drew number 4.

Sales persons one and two greeted customers almost immediately.  About ten minutes elapsed before customer number 3, a tired looking woman, walked through the door. This woman looked like someone who had been hit by hard times. She was wearing a ratty winter coat (even though the temperature was in the nineties), flip-flops, and a wide-brimmed straw hat. In her right hand she held a large brown paper grocery bag.

“Do I have to help her?” asked the salesman who had drawn number 3. “She’s a bag lady, for Christ’s sake!”

The store owner, Mr. S, scrutinized the woman before replying, “She’s probably come in to take advantage of our air conditioning.  Just ignore her. She’ll leave soon enough.”

She did not leave, and while I waited for customer number 4, she looked back at us repeatedly.

“Don’t you think someone should at least say hello?” I inquired.

“If you talk to her, she’ll never leave,”  Mr. S answered. “She’ll monopolize your time and you won’t make any sales.”

I knew he was probably right, but I looked back and her, and she was staring at me. The puzzled look in her eyes was clearly saying ‘why won’t you help me?’

She reminded me of my mother. Even after my father had gotten a job that paid well, my mother refused to buy new clothes.  “We never know how long the job will last,” she reasoned. “I aim to save as much money as I can for that rainy day that’s sure to come.” I used to wonder why the clerks in the stores where we shopped sometimes ignored her. Now I knew the reason.

I could not look away from this bag lady’s eyes. “I’m going to go speak to her,” I told Mr. S.

“Go ahead,” he sighed. “but don’t blame me when everyone else racks up big sales today and you end up with nothing.”

I nodded and walked over to the woman. “Hi,” I greeted her. “How can I help you today?”

“I’m looking for a new living room suite, a new dining room suite, and a new bedroom suite.” She asserted. “I just got a new apartment.”

“Very well,” I responded, “come with me and I will show you what we have.”

After walking through the living room section three times she finally stopped to ask questions about a royal blue velvet sectional that cost $999.99. She wanted to know what made that sofa worth that much money. I was well-versed on the strengths of that particular suite, so I quickly explained them to her.  She nodded, accepting my explanation.

“And those tables,” she asked, pointing to the set of 3 chrome and glass tables that accessorized the suite, “what makes them worth $300.00?

“They’re tempered glass,” I enlightened her. “They’re four to six times the strength of regular glass, and If the glass breaks it shatters into round pieces that can’t cut anyone. “ She did not seem impressed, so I added, “These tables are so strong you can stand on them.”

“I’m looking for tables that lamps can stand on; not people,” she informed me. She pointed to a set of wooden tables across the room. “I’ll take those,” she said.

By this time, I had been with the woman for forty-five minutes.  Meanwhile, sales persons 1, 2, 3, 5, and 6 were closing multiple sales. I silently berated myself to not listening to Mr. S. He had been in this business a lot longer than me.  His was the wise voice of experience.

After similarly scrutinizing the dining room furniture, she selected a chrome and glass dining room table (“I might actually want to stand on that sometime,” she shared with me.) with 6 leather chairs. She took over two hours to select a bedroom suite, a French provincial set made of fruitwood. At $1,549.99, it was the most expensive suite we carried. I invited her to join me at my desk, but she insisted she needed to choose lamps for her new living room and bedroom suites first.

After another hour had passed, she was satisfied that she had everything she wanted. As I pulled a chair up to my desk for her, I glanced at Mr. S. He was shaking his head.  I knew exactly what he was thinking, “I told you so!” I did not relish the thought of the scorching lecture that would soon be coming my way; not to mention the beating I would be giving myself for offering to help this woman.

I took a blank contract from my desk drawer and began to fill it out. She supplied me with her name, address, and phone number (clearly, she was making this stuff up!), but hesitated when I asked for her Social Security number. “What do you need that for,” she wanted to know.

“I need your Social Security number to get your credit approved,” I insisted (like I actually thought she could get approved).

“I’m not buying this on credit!” she thundered. “I’m paying cash.”

Mr. S, standing behind me, actually giggled, prompting snickers from the rest of the sales staff.

I ignored them.  They could be dealt with later. I needed to get rid of this woman before she ruined my sales for the rest of the day.

“Very well,” I said in my most business-like voice, “your total with sales tax comes to $3,795.96. Since you are paying cash, I won’t charge you for delivery. I’ll write up your receipt while you go get the money.”

“I don’t need to go get the money,” she smiled. “I got it with me.”

She proceeded to open up that brown paper grocery bag that was in her right hand. After removing several layers of newspaper, she started lifting banded packs of one-hundred dollar bills and placing them on my desk. “There’s $3,800. You owe me $4.04 change,” she announced.

I wrote up a delivery slip and sent it back to our warehouse. Mr. S. was speechless, as the sales staff gasped in disbelief. I could hardly believe it myself. This had to be a dream!

But it was not a dream. I escorted her to the front door, and as I opened the door for her, I advised, “You ought to put that money in a bank account. It’s not safe to walk around this city with that kind of cash in a paper grocery bag.”

A sly smile spread across her face. “Don’t you worry about me,” she reassured me. “Everybody thinks I’m a bag lady.”


Author’s Note:  A year later, when I was promoted sales manager of the store, I used this story to train my sales staff not to judge customers by their appearance.  The really cool thing about this is that there were still sales staff members who had been present and witnessed my experience with this woman. When doubters scoffed, these staff members verified the truth of the story. “We know it’s true,” they insisted. “We were there!”

Thursday, August 8, 2013

Suzi Whaples Live in Jonesborough


CD Review

Written and performed by Suzi Whaples.  $15.00, plus shipping and handling, from http://www.cdbaby.com/cd/suziwhaples2. Suzi’s website: http://suziwhaples.com/

Reviewed by Linda Goodman

            As a native of Virginia’s Appalachian Mountains, I truly enjoyed Suzi Whaples’ authenticity on this CD. A true Appalachian accent is hard to find these days, and as I listened to these original stories I felt as though I had been whisked back into my childhood to one of those big family reunions where my relatives strived hard to “out-story” one another.

            Speaking in her mama’s voice, Suzi begins telling I Hear Something, a story about vampires and other monsters that introduces us to a cast of eccentric characters, including the affable Dr. Slaughter, Boyd Polly (a connoisseur of fine grain), and hex specialist Elsie Mundy. Along the way, she dispenses homespun wisdom (“When you get old, everything either gets plugged up or leaks.”) and a dissertation on the history of werewolves.

            Chicken Man shares the story of the monster that terrified the holler where Mama grew up. A love story of sorts, this story blends humor and suspense to create a unique tale of growing up in the mountains.          

            Papa Can’t Read is a touching story about a man who fears losing his family’s respect and the sensitive daughter who discovers his secret and helps him get past his fears. AMAZING!

            I had to listen to The Thong twice because I was laughing so hard, I did not hear the whole thing the first time. Words change their meanings over time, and this story about a generational misunderstanding of a word is hilarious.

            Suzi’s adopted granddaughter is the star of Lydia, a sweet story that will put a smile on any grandparent’s face.

            Rarely do I hear such fine sound on a live recording. Doug Dorschug, the Technical Producer, and Brandon Ferguson, who edited the stories, did their jobs well.

This is a CD that should be played after one of those stress-filled days that we all dread, yet find so common. Laughter really is the best medicine for this ailment, and this CD is a super-sized prescription for just that!