Saturday, December 8, 2012

Tom Weakley's The Stories


Stories written by Vermont Storyteller Tom Weakley

Available for $19.95 + $5.95 shipping and handling from

Reviewed by Linda Goodman
I have been a big fan of Tom Weakley's gentle wisdom and homespun humor ever since I first saw him at the Three Apples Storytelling Festival in Harvard, Massachusetts in the early 1990's. His CDs RFD Vermont and Harry and the Texaco Boys are favorites of mine.

Weakley retired from performing in 2008, and I was sad to hear that. His delicious stories, though, will live on, not only on his CDs, but also in his new book The Stories, published by Highland Publications. His words paint images so exquisite that I stopped to read them over and over until I could do instant replays in my head. Reading them was like watching the Andy Griffith Show, but Weakley's version of the fictional Mayberry has a dark side.

Esther, as near perfect a ghost story as I have ever heard, is the eerie story of a ghost trying to make amends for a tragic accident. In the heartbreaking Sleeping Outside Eden, a father and grandfather bid farewell to a lost loved one at the Vietnam Wall in Washington, DC. Adrift on the Alfalfa Sea shares the lonely life of an aging storyteller and dares to voice the words that every professional storyteller has pondered: “As she came to look forward to the money she began to worry that her talent mightn't last as long as she did. What would be the first to go, she wondered. The voice? The stories? Maybe her memory. If I can just concentrate, she thought, maybe I can postpone its coming.” What horrifying, but completely logical, thoughts for an elder who makes a living spinning tales!

Humor is also evident in Weakley's stories. Two Pickpockets, Directions, and The Good Lookin' Suit provoke belly laughs to counter balance the more serious stories.

Teen angst is evident in Do You Love Me Mary Olson?. In Tommy, a young boy learns a hard lesson about coming when called. An unfaithful husband lives to regret his betrayal in The Raspberry Affair.

There are a total of twenty stories in this book, each one a gem. Stories told use eye contact, facial expressions, voice, body language, and movement to make you see what words alone do not express. These stories use just words so effectively and artistically that we see in our minds every element that oral story presents. Tom Weakley is a fabulous storyteller who has performed on the main stage at the National Storytelling Festival, and deservedly so. As fine a storyteller as he is, however, he is an even more gifted writer. Like Pat Conroy, he paints pictures that we have all seen, but in such a way that we relive the moments simultaneously as we read them.

Christmas is coming. If you have story lovers or book lovers on your list, this book is the perfect gift for them. Please buy this book!

Sunday, November 25, 2012

Devils on Horseback and Other Odd Journeys


Devils on Horseback
And Other Odd Journeys
CD Review
Stories written and performed by Geraldine Buckley

$15.00 for the CD or $12.00 for the MP3 download at http://www.cdbaby.com/cd/geraldinebuckley2

CD Reviewed by Linda Goodman

Those listeners who have heard Geraldine Buckley’s first CD, Destination Slammer, will welcome this new recording, which invites us to join her on yet more of her “hilarious, true, inadvertent adventures.”

Devils on Horseback, the title track, holds forth lovely memories of Geraldine’s Aunt Eileen, a loveable eccentric who shares Geraldine’s love of wrestling. Ringside excitement and, curiously, a new restaurant menu item combine to create a new family “character.”

A quest for a fabled Midnight Feast at a convent boarding school leads to hilarious escapades with results quite different from those found in Enid Blyton novels. Lemons are made out of lemonade, however, and adventure still wins the day.

Those of you who saw Geraldine win the National Storytelling Festival’s first slam have already heard a piece of Hitchhiking, in which her mother’s desire for her to have adventures leads to a strange ride. What you did not hear were the tender moments between mother and daughter that followed. Sweet memories linger long after the story ends.

Dinner With Bob recalls Geraldine’s attempt to get over a bad break-up by turning her attention to a new romance, even though she knows that “men are not like socks. You can’t just exchange them one for the other.” The replacement relationship fairs no better than the first one, but years later, a random meeting produces new understanding that makes for a lasting friendship.

Daddy’s Ashes introduces the listener to Geraldine’s father, a man who loves the Mediterranean; who lives to laugh and to make others do the same. Discoveries of forfeited dreams produce sad realizations, yet deepen appreciation for opportunities resulting from such sacrifice. Even a soap opera-like turn at life’s end cannot prevent a woman on a mission from carrying out her father’s wishes.

The stories end too soon (have 75 minutes really passed?) with Celtic Blessings for God’s protection and peace. This CD is part hilarity, part heartbreak, and 100 percent truth. Geraldine’s talent as a writer and performer leaves listeners who have never heard her before feeling like they intimately know this woman. What a wonderful gift!


Wednesday, November 21, 2012

I Love My People


Stories and Songs
CD Review

Oba William King, the Poetic Storyteller

$15.00 + $2.50 shipping and handling. To order, email oba@justusarts.org

Reviewed by Linda Goodman

            This CD begins with The Creation, a James Weldon Johnson sermon that I have heard numerous times, but never with the depth of feeling given it by Oba William King. A dramatic teller, King becomes one with the story, his deep, full voice painting God as practical, artistic, wise, and loving. 

            King accompanies himself on the drum as he sings Red, Black, and Green, a song meant to teach children the colors of the flag of the African people. In a call and response format, we learn the significance of the colors: red is for the blood; black is for the people; and green is for the land.

            I Love My People is a multi-voice anthem celebrating the courage and spirit of the African People:
            “No matter what the world puts us through
             We come out on top in all we do.”
This self-affirming testimony is sung to a catchy tune that makes those who hear it listen twice, so that they can sing along.

            In Emma Young’s poem Kimberly Ann Elizabeth Hall, a young girl discovers on her first day of school that other children have skin that is a different color from her own. On the advice of her mother, she reaches out to those children and learns that they have much in common. King is the voice of wisdom here, counseling that skin color is not as important as a person’s heart.

            The Sad Girl features a child, much like Cinderella, whose step-mother is mean to her. As the girl cries at her mother’s grave, she is given the comfort of material things, but her step-mother destroys them. Can true love release her mother’s spirit so that the girl can be saved and live happily? King tells this story with just the right touch of sentimentality and hope.

            The Bridge, a story about two loving brothers who somehow become enemies, is a favorite of mine. An unexpected visit from a wise carpenter teaches them both a valuable lesson.

            Would eagles who were raised with chickens think that they were chickens? That is the case in The Eagles Who Thought They Were Chickens, until a wise older eagle teaches them that if they spread their wings they can fly, if they really want to.

            Other tracks on this CD include a drum solo (Imani), a Muddy Waters song (Signifying Monkey in Blue), and an ode to playing in the snow (I want to Play in the Snow).

            This charming album will appeal to all ages. Oba William King knows how to use his voice to best effect, changing it with each character and encompassing the emotions that draw the listener deep into the stories. Whether he is being playful or somber, he hits the perfect notes. With his undeniable talent, he makes the stories his own.

Friday, November 2, 2012

Halos in the Darkroom

This is the story that I will tell if I am selected to tell at the Secretly Y'all Story Slam tonight. The theme is Behind the Scenes: Unauthorized Transgressions and Expressions.


Halos in the Darkroom
©Linda Goodman 11/2/2012
                I was newly separated with a child to raise. The ad in the Help Wanted section said “Staff needed for Virginia Studio, a new photography venture at Triangle Shopping Center, Portsmouth, Virginia.”
                I needed a job. If the place was new and needed to hire an entire staff, there must be something I could do. I called and made an appointment for an interview.
                The owner’s name was Gerald. “I have only a sixth grade education and I make $100,000 a year,” he told me, adding "and I can make money off of anything. A friend of mine bet me $1,000 me I couldn’t make money on a photography studio. That’s why I’m opening this place. I’m planning to win that money. I only have to stay in business three months to do it.”
                Gerald decided to hire me for the front desk because I was well-spoken and looked cute. Men might see me through the front window, he said, and come in to get their picture taken just to get to know me. He hired a friend of his, Bill Henry, someone with experience, to be the photographer. He then hired two other “girls” to work the phones (telephone solicitors) and his staff was complete.
                We got a few walk-ins the first couple of days, but the serious business started coming in after we ran a newspaper ad offering a free 8 X 10 portrait to anyone who walked through the door. The ad ran on Saturday and, since the Blue Laws had just been rescinded, announced that we would be open on Sunday so that folks could get photographed in their “Sunday go to meeting clothes. “ That’s when the business starting pouring in.
                A few weeks passed and the studio was succeeding beyond Gerald’s wildest dreams. The great majority of our clients bought packages that cost $35 or more (a small fortune for photos in those days), and the money was piling up.
                While Bill and I were having lunch one day, I mentioned to him that I wished that I had more marketable skills so that I could earn a better paycheck (I had seen Bill’s paycheck stub, which he had left on his desk – WOW!).
                “There’s no reason for you not to have marketing skills,” he advised me. “Tell you what – I’ll teach you to shoot portraits.”
                “Really?” I asked.
                “Sure,” he replied. “Just don’t let anyone know. No one is supposed to get near that camera but me. Gerald paid a lot of money for it.”
                The next afternoon, when business was slow, Bill started teaching me his craft. I, who had never held a camera before in my life, learned to focus the camera, pose the subject, set the lights, and put folks at ease so that their smiles would look natural. Thanks to the tripod, my shaking hands were not an issue.
                The next day, Bill did not come to work. I called and left a message for Gerald.  When Clients began arriving for their appointments, and the lobby was filled to capacity, I decided to shoot some portraits myself. Bill could always offer retakes later, if necessary.
                Gerald showed up the next morning. “I got your message about Bill. I checked around and found out he was arrested. He’s in jail.” Bill, it seems, had broken into the appliance store next door , one of Gerald’s competitors, and stolen two televisions. 
                Gerald was a nervous wreck. “I’m gonna lose that bet for sure!” he complained.
                I thought for a moment. “Maybe not,” I said hesitantly. “I shot the portraits for our clients yesterday.”
                “Are you kidding me?  Bill let a rank amateur use that expensive equipment! He was NOT authorized to dot that!” Gerald was about to explode.
                “Don’t get mad at Bill,” I protested. “He was just trying to help me learn some new skills.”
                “Well, Miss Know-It-All, we’ll just see if those portraits you took sell. Who the hell learns to be a photographer in one afternoon?” he scolded.
                That afternoon the proofs of the portraits that I had taken the day before came in. I must have forgotten to check the light meter. My first session had been with a handsome African American family. They were all wearing dark clothes and I had used a black background for them. I had forgotten to set the lights. All you could see in the proofs was their eyeballs. Other portraits that I had taken had similar issues.
                To my surprise, however, the clients were thrilled! “Highlighting our eyes like that!” they exclaimed. “What a brilliant idea! We have never seen anything like it! It’s art!”  Gerald was both surprised and delighted. “A star is born!” he proclaimed. “I knew the minute I hired you that I had struck a goldmine.”
                The next day, knowing that eyeball pictures would eventually grow old, I remembered to check the lights and set them properly. I centered each of my subjects’ heads in the center of the lights behind them.  When I received the proofs the next day, all the family photos were fine, but the individual photos caused a near riot. Every one of them showed a halo around the head of the subject.
                “You’ve made my baby look like the angel that she is!” one mother gleefully shouted.
                “Now I know what I will look like in heaven,” sighed another happy client.
                “You have a gift, young lady,” said another.
                I started getting appointments specifically for halo photos. They were so popular, I had a waiting list.
               All good things come to an end, however. An elderly lung cancer patient died shortly after purchasing his halo photo. Two weeks after that, a little girl that I had photographed was struck and killed by a car. My once satisfied customers were now making frantic phone calls, wanting to know if I could remove the halos from their photos. The local newspaper even ran a story about these “pictures of death.”  Once that happened, business came to a complete standstill. People were afraid to walk past our shop, much less come inside and, God forbid, have their portraits taken.
                Gerald could not be consoled.  “I can’t believe I’m gonna lose that bet!” he moaned. “I have to stay in business at least 3 months to win. We still have a month and a half to go. I can’t believe I trusted you to be my photographer.”
                We were bringing in no income. The only thing we could do was lower expenses.  From the middle of July until the end of August, the air conditioner was shut down. Our telephone solicitors were let go. The lights we used for atmosphere were turned off. Office supplies were not ordered when inventory became low. No more ads were placed and no flyers were created or mailed.
                At the end of August we closed shop. I subtracted our expenses from our income, and we ended up with a net profit of $245.94.
                Gerald slapped me on the back. “Well, kid,” he said, “we didn’t make a killing, but I won the bet. For a while there, I thought you were going to make me a millionaire.”
                He locked the door for the last time and handed me an envelope. “Just my way of saying thanks,” he grinned before walking away.
                I opened the envelope. Inside was a button that had “Gerald’s Little Helper” stamped over top of a photo of a voluptuous woman dressed as an elf. There was also a coupon for 10% off of a new refrigerator at his appliance store. I threw them both in trash barrel and went to look for a real job.

Sunday, October 28, 2012

Linda Goodman at Chesterfield County Libraries


I am pleased to announce that I will be doing my program Melting Pot: Tales from Around the World at eight Chesterfield Libraries during the month of November. This is a family program that reaches out to all ages with the theory that, even though we are from different cultures, we are much more alike than we are different.

The schedule for this show is as follows:

Saturday, November 3. 2012

10:30 - 11:30 Central Library, 9501 Lori Road, Chesterfield, VA 23832 (804)796-7029

2:30 - 3:30 Meadowdale Library, 4301 Meadowdale Blvd., Richmond, VA 23234 (804)318-8778

Saturday, November 10, 2012

10:30 - 11:30 Chester Library, 11800 Centre Street, Chester, VA 23831 (804)706-1650

2:30 - 3:30 Enon Library, 1801 Enon Church Road, Chester, VA 23803 (804)530-3403

Saturday, November 17, 2012

10:30 - 11:30 Bon Air Library, 9103 Rattllesnake Road, Richmond, VA 23235 (804)320-2806

2:30 - 3:30 Midlothian Library, 521 Coalfield Road, Midlothian, VA 23114 (804)768-7907

Saturday, November 24, 2012

10:30 - 11:30 Clover Hill, 6701 Deer Run Drive, Midlothian, VA 23112 (804)318-8922

2:30 - 3:30 LaPrade Library, 9000 Hull Street Road, Richmond, VA 23236 (804)276-7755

Hope to see you at one of the shows! Bring your friends!

Thanks to the Chesterfield libraries for sponsoring this event

Monday, October 1, 2012

Kentucky Folktales Given New Life


Book Review
Kentucky Folktales
Revealing Stories, Truths, and Outright Lies
Mary Hamilton’s email: mary@maryhamilton.info

Reviewed By Linda Goodman

            Reading Mary Hamilton’s new book, Kentucky Folktales, is like taking a storytelling master class that leaves you with its full text instead of sketchy notes and skimpy handouts.  Through the use of scary tales, tall tales, folktales, and family tales Hamilton sheds light on such issues as fear, parental neglect and abuse, healthcare, hunting, war, kingly challenges, smart women, and raising babies.

            Each tale is followed by a commentary that relates Hamilton’s sources for her tales and notes on how she adapted them for her own storytelling performances. Most of the stories are also followed by the script of one of the original tales, making comparisons and detail mentioned in the commentary easy to follow.

            Experienced tellers reading this book will see old tales in new ways. I have been telling stories since 1989, and never would have realized that a story like The Princess Who Could Not Cry could be used to advocate for healthcare.  ”…Just as having car insurance does not mean we can always afford to pay a mechanic to keep our car running, having health insurance does not mean we can always afford to pay for health care,” a poor woman’s daughter tells a queen, and my own head begins to fill with numerous tales that can help to spread that message through the charm of story, as opposed to rhetoric.  I wish that I had read Hamilton’s family tale This Is the Story…  ten years ago. It may have saved my daughter’s family from three years of sleepless nights as my youngest granddaughter wailed away each evening.

            New storytellers will find this book to be an excellent “how to” source that speaks in a language easily understood by novices. Particularly useful are Hamilton’s step-by-step instructions, following the text of her version of Kate Crackernuts, for creating story and word maps. She also shares here questions that she will ask and answer for herself to deepen her own understanding of the story so that she can share it in a more meaningful way with her audience.

            Educators who read this book will find what they need to relate storytelling to their curriculum. The commentaries will be particularly useful. The Enormous Bear Comparison Chart that follows the story The Enormous Bear is a good education in how stores stories change from teller to teller.

            In her introduction, Hamilton calls this collection “oral tales frozen in print” and reminds us that true oral storytelling is amorphous: No two tellers will tell the same tale in the same way, and no storyteller will tell a story the exact same way twice. This book is a springboard to bigger and better things: unfettered creativity, imagination that knows no bounds, and a platform for outside the box education.

            If you take storytelling seriously or want to nurture a wider scope of telling, this book should be on your shelf.

Saturday, September 15, 2012

Don't Miss the Vote!

Effective July 1, 2012, Virginia passed a new Voter ID Law.

All Virginans who are registered to vote should receive a new voter registration card by the end of the first week in October. If you have not registered, you must do so by October 15 to vote in this year's elections. If you are not sure whether or not you are registered, you can check your registration status at www.sbe.virginia.gov.

When you vote, you must bring at least one valid ID to the polls. Contrary to popular opinion, your ID does not have to be a photo ID. Acceptable forms of ID include:
  • A Virginia voter registration card
  • A Social Security Card
  • A valid Virginia driver's license
  • Any other ID card issued by an agency of the Commonwealth, one of its political subdivisions, or the United States
  • Any valid student ID card issued by a Viginia Institution of higher education
  • A valid ID card issued by an employer containing a photograph of the voter
  • A current copy of a utility bill with voter's name and address
  • A current copy of a bank statement with the voter's name and address
  • A current copy of a government check with the voter's name and address
  • A current copy of a paycheck that shows the voter's name and address
  • A concealed handgun permit.
If you do not provide ID, you will be allowed to vote a provisional ballot ( a paper ballot placed in an envelope marked "ID-only"), and your ballot will not be counted unless you provide an ID to the local election office by noon on Friday, November 9, 2012, by fax, mail, or email.

If you have questions or problems voting, call 1-866-OUR-VOTE (1-866-687-8683).

The future plot twists in your country's story will be affected by your vote in one way or another. Please educate yourselves about the issues, listen to what all of the candidates have to say, and vote your conscience.

The above information was provided by The Martin Luther King, Jr History & Public Policy Center
804-828-7095*kallen@mlk-center.org