Friday, January 25, 2013

Storefront Theatre Shines with God's Man in Texas

Reviewed by Linda Goodman
During the past few weeks, I have learned three things about Waxhaw, North Carolina’s The Storefront Theatre:

1. Reserve your tickets as soon as they are available. I saw a flyer about the show two weeks before its opening, and called for reservations immediately; but they were already sold out. Thank goodness I was close enough to the top of the waiting list that I was able to get a ticket when someone else cancelled.

2. Get to the theater (in the Museum of the Waxhaws on Highway 75) EARLY if you want a good parking place and a good seat. I arrived five minutes before show time on Sunday afternoon, and I was able to get neither of those luxuries.

3. Expect an excellent production. God’s Man in Texas, by playwright David Rambo, done as a concert reading, was so beautifully executed I forgot all about both the parking situation and the seat.

Set in the present in Houston, Texas at the fictional Rock Baptist Church (a mega church that reflects the excitement of Las Vegas as much as it does the glory of the Lord), the play is the story of eighty-one year old Dr. Philip Gottshall, the church’s pastor, and his power struggle with Dr. Jeremiah Mears, a younger minister who has been brought in by the congregation in preparation for the day that Gottshall will no long be able to fulfill his pastoral duties.

Melvin Faris, as Gottshall, expertly portrays the enthusiasm, the skepticism, the jealously, and, finally, the contempt the great man has for the congregation and the pretender who would dare to replace him. “I will go in God’s time!” he thunders, filled with righteous indignation. Clearly this silver-tongued devil plans to go nowhere until his cold, hard body is put in the ground.

Dennis Delamer, as Mears, displays a high degree of sensitivity in his role. He makes it easy to believe that Mears’ faith is sincere, even though he allows himself to be tempted by visions of grandeur for a short while. Mears eventually finds that he prefers whispers, God’s still small voice, to shouting.

Michael Ruff portrays Hugo Taney, a recovering drug addict who is the church’s technical expert, and provides comic relief to balance out the heavy dramatic moments in the play. Ruff embodies Taney with a child-like naivete that endears him to the audience. The audience believes him when he says he could not exist “out there.”

Catherine Smith, whose silky voice can be heard on television and radio throughout the country, read the stage directions will skill and charm.

The show is filled with small details that add a nice flavor to the drama. Broccoli, prunes, and George H.W. Bush are essential to the plot.

Executive/Artistic Director Judy Simpson Cook and The Storefront Theater’s board and stage crew are to be congratulated for bringing this enthralling show to life. I cannot wait to see what they do next!



Monday, January 21, 2013

Our Secret Territory: The Essence of Storytellig

By Laura Simms
Laura Simms’ email: storymentor2010@gmail.com
Published by Sentient Publications, LLC
ISBN: 978-1-59181-172-5, $14.95

Book Review By Linda Goodman

“Let us now crawl under the canopy
Of the currant leaves,
and tell stories.
Let us inhabit the underworld.
Let us take possession of our secret territory.”
Virginia Woolf, The Waves 

            Laura Simms chose the above quote to open her book, Our Secret Territory, a storytelling road map in which she shares with readers her unique understanding of the relationship between the storyteller, the story, and the listener.

            I briefly met Laura at the VASA (Virginia Storytelling Alliance) Gathering at Virginia’s Cultural Arts Center at Glen Allen in 2001. In person, she was warm, articulate, and elegant. On the stage, however, she transformed into something else entirely: an otherworldly vessel, a cup made of the finest crystal, bearing wine so sweet that I wanted to drink it slowly because I did know when I might find such again.

            I did not realize at the time that I was “dreaming wide awake.” In this book, Simms introduces dreaming “not as the unconscious activity that occurs when we sleep, but as the natural process of being.” Simms constantly listens to her listeners: “It’s almost as if I think of something, they visualize it, and then I describe it.”

            I came to storytelling from the viewpoint of a writer, and I share stories that I have written. I have loved hearing the folktales, myths, legends, and fairy tales that I have heard others tell, but I myself have told such stories only sparingly. This book may change that.

            Our Secret Territory uses exposition, short tales, and quoted words of wisdom to illustrate each chapter’s theme. A longer tale, The Hen and the Rooster, is interspersed in segments throughout the book as the “route that takes us home.” Through following this tale as it wove itself from chapter to chapter, I finally discovered the key that makes me want to spend more time absorbing and sharing such tales. I suspect that you will find your key, too.

            Having said that, I must confess that the two stories from this book that I carry in my heart are from Simms’ personal story stock: The exquisite T'Boli Dreaming shares a journey to a territory of seven villages, where Simms meets a woman who tells her the secret to the survival of a culture, even if all material evidence of it is lost; In a chapter on “sudden stories” a boy soldier from Sierra Leone, who has been brought to New York to speak with the United Nations about his plight, has to return to the war after ten days of safety. Sobbing, he asks Simms to tell him a story. His deep understanding of the short tale was quite humbling to me. I heard only a simple, somewhat humorous tale. He heard the key to living life in a world where the life of a child does not much matter. His tragic tale magically takes on new meaning. Remembering it both breaks my heart and fills me with awe at the wisdom to be gained from children.

            Our Secret Territory, written by a master who generously shares her expertise and insights culled from many years of experience, is another jewel in Laura Simms’ crown. I expected much and got much more than I expected. I recommend it to both listeners and tellers, especially tellers seeking to take their tales to a deeper level.   

Tuesday, January 1, 2013

101 Games That Teach Storytelling Skills

Book Review

Written by Anthony Burcher and Mike Burcher

Available for $19.95 ($15.96 for ebook)+ shipping and handling from
www.healthylearning.com

Reviewed by Linda Goodman

Using their more than fifty combined years of storytelling and camp leadership as a model, Anthony and Mike Burcher have co-authored this comprehensive book that teaches the value of joy and play with regard to storytelling.

The Burchers acknowledge that in recent years, movies, television, audio recordings, and digital media have changed the way stories are told. Dependence on electronic media has led many to fore-go mastering the communication skills necessary to navigate today's social and business paradigms. Social networking has denied users the experience of seeing how others react to what is shared, resulting in the user's own shrinking knowledge regarding how to appropriately listen and respond to others.

So how can one gain these skills in today's modern world? The Burchers suggest duplicating the camp experience, which deliberately limits technology to create an environment that is ideal for learning social and linguistic skills.

This book is divided into three groups of games. Of particular interest is the section on games that teach the skills needed before you take the stage in front of a live audience. These games focus on such elements as imagination, word selection, powers of observation, dedication to practice, and an above average command of both the English language and story structure. Most storytelling handbooks and workshops assume such skills are already in play. Because this book makes no such assumptions, it is a valuable tool for the true beginning storyteller. The Astounding Adjective Name Game, for instance, requires participants to introduce themselves by preceding their names with adjectives that begin with the same letters as their names and also aptly reflect their personalities. This requires a thought process that sharpens word selection skills and mastery of language.

The second group of games focuses on skills needed to perform in front of an audience (facial expressions, gestures, eye contact, etc.). The third group of games focuses on practicing and telling stories in front of and with others. These games include round robin stories, jet speed autobiographies, and other games that keep the story moving when no one knows who is telling next.

With all three groups, the essentials (objective, goal, recommended ages, number of players, energy level, formation, and props) of each game are given prior to the instructions for playing the game. These essentials guide the leader into selecting the most appropriate games for the group of participants.

This book is a good investment for storytellers of all levels. Not only does it aid in the development of new storytellers, but it is a good tool for experienced tellers who want to sharpen skills learned long ago and re-energize their own performances.



Saturday, December 8, 2012

Tom Weakley's The Stories


Stories written by Vermont Storyteller Tom Weakley

Available for $19.95 + $5.95 shipping and handling from

Reviewed by Linda Goodman
I have been a big fan of Tom Weakley's gentle wisdom and homespun humor ever since I first saw him at the Three Apples Storytelling Festival in Harvard, Massachusetts in the early 1990's. His CDs RFD Vermont and Harry and the Texaco Boys are favorites of mine.

Weakley retired from performing in 2008, and I was sad to hear that. His delicious stories, though, will live on, not only on his CDs, but also in his new book The Stories, published by Highland Publications. His words paint images so exquisite that I stopped to read them over and over until I could do instant replays in my head. Reading them was like watching the Andy Griffith Show, but Weakley's version of the fictional Mayberry has a dark side.

Esther, as near perfect a ghost story as I have ever heard, is the eerie story of a ghost trying to make amends for a tragic accident. In the heartbreaking Sleeping Outside Eden, a father and grandfather bid farewell to a lost loved one at the Vietnam Wall in Washington, DC. Adrift on the Alfalfa Sea shares the lonely life of an aging storyteller and dares to voice the words that every professional storyteller has pondered: “As she came to look forward to the money she began to worry that her talent mightn't last as long as she did. What would be the first to go, she wondered. The voice? The stories? Maybe her memory. If I can just concentrate, she thought, maybe I can postpone its coming.” What horrifying, but completely logical, thoughts for an elder who makes a living spinning tales!

Humor is also evident in Weakley's stories. Two Pickpockets, Directions, and The Good Lookin' Suit provoke belly laughs to counter balance the more serious stories.

Teen angst is evident in Do You Love Me Mary Olson?. In Tommy, a young boy learns a hard lesson about coming when called. An unfaithful husband lives to regret his betrayal in The Raspberry Affair.

There are a total of twenty stories in this book, each one a gem. Stories told use eye contact, facial expressions, voice, body language, and movement to make you see what words alone do not express. These stories use just words so effectively and artistically that we see in our minds every element that oral story presents. Tom Weakley is a fabulous storyteller who has performed on the main stage at the National Storytelling Festival, and deservedly so. As fine a storyteller as he is, however, he is an even more gifted writer. Like Pat Conroy, he paints pictures that we have all seen, but in such a way that we relive the moments simultaneously as we read them.

Christmas is coming. If you have story lovers or book lovers on your list, this book is the perfect gift for them. Please buy this book!

Sunday, November 25, 2012

Devils on Horseback and Other Odd Journeys


Devils on Horseback
And Other Odd Journeys
CD Review
Stories written and performed by Geraldine Buckley

$15.00 for the CD or $12.00 for the MP3 download at http://www.cdbaby.com/cd/geraldinebuckley2

CD Reviewed by Linda Goodman

Those listeners who have heard Geraldine Buckley’s first CD, Destination Slammer, will welcome this new recording, which invites us to join her on yet more of her “hilarious, true, inadvertent adventures.”

Devils on Horseback, the title track, holds forth lovely memories of Geraldine’s Aunt Eileen, a loveable eccentric who shares Geraldine’s love of wrestling. Ringside excitement and, curiously, a new restaurant menu item combine to create a new family “character.”

A quest for a fabled Midnight Feast at a convent boarding school leads to hilarious escapades with results quite different from those found in Enid Blyton novels. Lemons are made out of lemonade, however, and adventure still wins the day.

Those of you who saw Geraldine win the National Storytelling Festival’s first slam have already heard a piece of Hitchhiking, in which her mother’s desire for her to have adventures leads to a strange ride. What you did not hear were the tender moments between mother and daughter that followed. Sweet memories linger long after the story ends.

Dinner With Bob recalls Geraldine’s attempt to get over a bad break-up by turning her attention to a new romance, even though she knows that “men are not like socks. You can’t just exchange them one for the other.” The replacement relationship fairs no better than the first one, but years later, a random meeting produces new understanding that makes for a lasting friendship.

Daddy’s Ashes introduces the listener to Geraldine’s father, a man who loves the Mediterranean; who lives to laugh and to make others do the same. Discoveries of forfeited dreams produce sad realizations, yet deepen appreciation for opportunities resulting from such sacrifice. Even a soap opera-like turn at life’s end cannot prevent a woman on a mission from carrying out her father’s wishes.

The stories end too soon (have 75 minutes really passed?) with Celtic Blessings for God’s protection and peace. This CD is part hilarity, part heartbreak, and 100 percent truth. Geraldine’s talent as a writer and performer leaves listeners who have never heard her before feeling like they intimately know this woman. What a wonderful gift!


Wednesday, November 21, 2012

I Love My People


Stories and Songs
CD Review

Oba William King, the Poetic Storyteller

$15.00 + $2.50 shipping and handling. To order, email oba@justusarts.org

Reviewed by Linda Goodman

            This CD begins with The Creation, a James Weldon Johnson sermon that I have heard numerous times, but never with the depth of feeling given it by Oba William King. A dramatic teller, King becomes one with the story, his deep, full voice painting God as practical, artistic, wise, and loving. 

            King accompanies himself on the drum as he sings Red, Black, and Green, a song meant to teach children the colors of the flag of the African people. In a call and response format, we learn the significance of the colors: red is for the blood; black is for the people; and green is for the land.

            I Love My People is a multi-voice anthem celebrating the courage and spirit of the African People:
            “No matter what the world puts us through
             We come out on top in all we do.”
This self-affirming testimony is sung to a catchy tune that makes those who hear it listen twice, so that they can sing along.

            In Emma Young’s poem Kimberly Ann Elizabeth Hall, a young girl discovers on her first day of school that other children have skin that is a different color from her own. On the advice of her mother, she reaches out to those children and learns that they have much in common. King is the voice of wisdom here, counseling that skin color is not as important as a person’s heart.

            The Sad Girl features a child, much like Cinderella, whose step-mother is mean to her. As the girl cries at her mother’s grave, she is given the comfort of material things, but her step-mother destroys them. Can true love release her mother’s spirit so that the girl can be saved and live happily? King tells this story with just the right touch of sentimentality and hope.

            The Bridge, a story about two loving brothers who somehow become enemies, is a favorite of mine. An unexpected visit from a wise carpenter teaches them both a valuable lesson.

            Would eagles who were raised with chickens think that they were chickens? That is the case in The Eagles Who Thought They Were Chickens, until a wise older eagle teaches them that if they spread their wings they can fly, if they really want to.

            Other tracks on this CD include a drum solo (Imani), a Muddy Waters song (Signifying Monkey in Blue), and an ode to playing in the snow (I want to Play in the Snow).

            This charming album will appeal to all ages. Oba William King knows how to use his voice to best effect, changing it with each character and encompassing the emotions that draw the listener deep into the stories. Whether he is being playful or somber, he hits the perfect notes. With his undeniable talent, he makes the stories his own.

Friday, November 2, 2012

Halos in the Darkroom

This is the story that I will tell if I am selected to tell at the Secretly Y'all Story Slam tonight. The theme is Behind the Scenes: Unauthorized Transgressions and Expressions.


Halos in the Darkroom
©Linda Goodman 11/2/2012
                I was newly separated with a child to raise. The ad in the Help Wanted section said “Staff needed for Virginia Studio, a new photography venture at Triangle Shopping Center, Portsmouth, Virginia.”
                I needed a job. If the place was new and needed to hire an entire staff, there must be something I could do. I called and made an appointment for an interview.
                The owner’s name was Gerald. “I have only a sixth grade education and I make $100,000 a year,” he told me, adding "and I can make money off of anything. A friend of mine bet me $1,000 me I couldn’t make money on a photography studio. That’s why I’m opening this place. I’m planning to win that money. I only have to stay in business three months to do it.”
                Gerald decided to hire me for the front desk because I was well-spoken and looked cute. Men might see me through the front window, he said, and come in to get their picture taken just to get to know me. He hired a friend of his, Bill Henry, someone with experience, to be the photographer. He then hired two other “girls” to work the phones (telephone solicitors) and his staff was complete.
                We got a few walk-ins the first couple of days, but the serious business started coming in after we ran a newspaper ad offering a free 8 X 10 portrait to anyone who walked through the door. The ad ran on Saturday and, since the Blue Laws had just been rescinded, announced that we would be open on Sunday so that folks could get photographed in their “Sunday go to meeting clothes. “ That’s when the business starting pouring in.
                A few weeks passed and the studio was succeeding beyond Gerald’s wildest dreams. The great majority of our clients bought packages that cost $35 or more (a small fortune for photos in those days), and the money was piling up.
                While Bill and I were having lunch one day, I mentioned to him that I wished that I had more marketable skills so that I could earn a better paycheck (I had seen Bill’s paycheck stub, which he had left on his desk – WOW!).
                “There’s no reason for you not to have marketing skills,” he advised me. “Tell you what – I’ll teach you to shoot portraits.”
                “Really?” I asked.
                “Sure,” he replied. “Just don’t let anyone know. No one is supposed to get near that camera but me. Gerald paid a lot of money for it.”
                The next afternoon, when business was slow, Bill started teaching me his craft. I, who had never held a camera before in my life, learned to focus the camera, pose the subject, set the lights, and put folks at ease so that their smiles would look natural. Thanks to the tripod, my shaking hands were not an issue.
                The next day, Bill did not come to work. I called and left a message for Gerald.  When Clients began arriving for their appointments, and the lobby was filled to capacity, I decided to shoot some portraits myself. Bill could always offer retakes later, if necessary.
                Gerald showed up the next morning. “I got your message about Bill. I checked around and found out he was arrested. He’s in jail.” Bill, it seems, had broken into the appliance store next door , one of Gerald’s competitors, and stolen two televisions. 
                Gerald was a nervous wreck. “I’m gonna lose that bet for sure!” he complained.
                I thought for a moment. “Maybe not,” I said hesitantly. “I shot the portraits for our clients yesterday.”
                “Are you kidding me?  Bill let a rank amateur use that expensive equipment! He was NOT authorized to dot that!” Gerald was about to explode.
                “Don’t get mad at Bill,” I protested. “He was just trying to help me learn some new skills.”
                “Well, Miss Know-It-All, we’ll just see if those portraits you took sell. Who the hell learns to be a photographer in one afternoon?” he scolded.
                That afternoon the proofs of the portraits that I had taken the day before came in. I must have forgotten to check the light meter. My first session had been with a handsome African American family. They were all wearing dark clothes and I had used a black background for them. I had forgotten to set the lights. All you could see in the proofs was their eyeballs. Other portraits that I had taken had similar issues.
                To my surprise, however, the clients were thrilled! “Highlighting our eyes like that!” they exclaimed. “What a brilliant idea! We have never seen anything like it! It’s art!”  Gerald was both surprised and delighted. “A star is born!” he proclaimed. “I knew the minute I hired you that I had struck a goldmine.”
                The next day, knowing that eyeball pictures would eventually grow old, I remembered to check the lights and set them properly. I centered each of my subjects’ heads in the center of the lights behind them.  When I received the proofs the next day, all the family photos were fine, but the individual photos caused a near riot. Every one of them showed a halo around the head of the subject.
                “You’ve made my baby look like the angel that she is!” one mother gleefully shouted.
                “Now I know what I will look like in heaven,” sighed another happy client.
                “You have a gift, young lady,” said another.
                I started getting appointments specifically for halo photos. They were so popular, I had a waiting list.
               All good things come to an end, however. An elderly lung cancer patient died shortly after purchasing his halo photo. Two weeks after that, a little girl that I had photographed was struck and killed by a car. My once satisfied customers were now making frantic phone calls, wanting to know if I could remove the halos from their photos. The local newspaper even ran a story about these “pictures of death.”  Once that happened, business came to a complete standstill. People were afraid to walk past our shop, much less come inside and, God forbid, have their portraits taken.
                Gerald could not be consoled.  “I can’t believe I’m gonna lose that bet!” he moaned. “I have to stay in business at least 3 months to win. We still have a month and a half to go. I can’t believe I trusted you to be my photographer.”
                We were bringing in no income. The only thing we could do was lower expenses.  From the middle of July until the end of August, the air conditioner was shut down. Our telephone solicitors were let go. The lights we used for atmosphere were turned off. Office supplies were not ordered when inventory became low. No more ads were placed and no flyers were created or mailed.
                At the end of August we closed shop. I subtracted our expenses from our income, and we ended up with a net profit of $245.94.
                Gerald slapped me on the back. “Well, kid,” he said, “we didn’t make a killing, but I won the bet. For a while there, I thought you were going to make me a millionaire.”
                He locked the door for the last time and handed me an envelope. “Just my way of saying thanks,” he grinned before walking away.
                I opened the envelope. Inside was a button that had “Gerald’s Little Helper” stamped over top of a photo of a voluptuous woman dressed as an elf. There was also a coupon for 10% off of a new refrigerator at his appliance store. I threw them both in trash barrel and went to look for a real job.